Renaissance Venice and the Production of Religious Knowledge
Exploring Leon Modena’s anti-Christian polemics, Magen we-herev (1643)
Renaissance Venice was undoubtedly a city of interreligious confrontation, economic exchange, and oriental knowledge. This study explores late Renaissance cultural interactions between Jews and Christians through the lens of anti-Christian Jewish polemics, focusing primarily—though not exclusively—on Leon Modena’s Magen we-herev, a text he composed toward the end of his life, around 1643.
Although Magen we-herev belongs to a well-established literary genre rooted in interreligious polemics, it introduces significant innovations that will be analyzed within the historical and urban cultural context that shaped it. As a work emerging from a process of religious co-production, Magen we-herev presents representations of Christianity, Judaism, and Islam that are deeply embedded in the social fabric of a city defined by religious diversity.
This study seeks to uncover the nature of this co-production, incorporating voices from Christian anti-Trinitarians (Anabaptists), conversos from the Iberian world, and various Catholic figures operating at the margins of Orthodoxy. Ultimately, Magen we-herev will be examined within the broader context of Venice as both a hub of early modern Orientalism and a crossroads between the Christian world(s) and the Ottoman Empire.